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I remember my days as a young aviator yes, airplanes were made of metal even back then ; trying to break into the professional pilot world. whenever i sent my resume to a chief pilot, or after an interview for a pilot job, the answer was always "not enough pilot time". i could not get a good pilot job because i lacked experience, but i could not see how to gain that experience without first getting the job. this was truly a dilemma. of course, i considered myself as good as or better than ; all the "old heads" getting the plum jobs. i was younger, smarter, better trained, and had better eyesight and reactions than all those guys and gals ; in their forties. why did they get preference because they had more time? now that i one of those "old guys", i understand the reasoning behind the criteria applied to me by flight departments when i was younger. flight time in the log book of a pilot still living usually means that he or she has survived unexpected events during flight, and from that experience learned valuable lessons. survival after all that time usually also means that the pilot has been able to apply those lessons under different circumstances in the real world. some of those lessons certainly came accompanied by fear. typically, we should avoid situations that cause that uneasy sensation in the pit of our stomach. but when that time has past, and we find ourselves in potential trouble, being able to stay calm while things are unraveling around us is a favorable trait for. Had written, they knew what montesquieu had written, they knew what john locke had written. those men had written that you can have a government that treats individuals individually, that respects individual rights. putting this into practice is the great contribution america has made to civilization. at jefferson's house, somebody bought me a copy of the u.s. constitution, and i stuck it in my pocket so that i could read it from time to time, because there are parts of it that i don't know. i happened to have it in my pocket, facing out, when i was in las vegas and about to play on how to play poker with some serious looking fellows. you know the type--the men who retire and have nothing to do but play poker every morning, so they know all the moves and they take it seriously. one tough guy sitting next to me suddenly noticed the booklet in my pocket and said, "what the hell is that?" i said, "oh, that's the u.s. constitution. are you for it?" he hesitated for a minute, and then he said, "yeah, i am, actually." this incident inspired me. i bought a number of these copies of the constitution and brought them with me. i'm going to leave them up here for anybody who wants one, but i going to make a deal with you first: if you take one of these copies of the constitution, you have to carry it around with you. put it as close to your heart as you can, because the truth is that for the last twentyfive hundred years, whenever the ruler said, "i'm sorry, we're going to suspend all those rights, " it was the lawyers who came marching out one after the other to resist the ruler--sometimes at enormous personal cost. and the end result has been that america has flourished, with freedom of thought and freedom of religion. let a person be whoever or whatever he chooses to be and to play poker texas or on how to play poker. A screenshot from the mechwarrior video game franchise.

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That resonates with the way in which individuals, including the main buffy characters, interact with the order of things. this occurs in the "safe" context of modally marked fantasy and its concomitant moral occult. the metaphysicalized determinism of the game accrues for the player a direct and heightened experience of being acted upon. as such the game is carefully designed and authored to exploit the frustrations and pleasures around living up to the buffy myth as well as lending the act of playing the game greater meaning and resonance. [26] players are offered the challenge to defeat the technologically-based big bad aided by the game's occulted infrastructure if achieved a pleasurable sense of mastery may be accrued that reinforces the illusion of personal autonomy. yet this can only be achieved by following the set pathway and fulfilling the quests designated by the game the game's linear nature gives little scope for so-called emergent gameplay that would transgress the intentions of the game designers ; . the contract drawn up between hands-on interaction of playing buffy and hands-off pre-determinism inherent within the game's infrastructure, operates, therefore, with the emotional economics of being acted upon, as much as with the drive to act, colonize, and take charge of the slayer and her power. the dialectical switching between the two intensifies the experience of both restriction and autonomy, a strategy that neatly dovetails with and augments one of the show's primary themes. the remediation of buffy into game form adds a media-specific interactive dimension, but the game's inherent moral occult operates to meld the world created by the game into the broader meta-textual buffverse, which, despite being a hi-tech media phenomenon, has many of the transcendent attributes of the creation myth. sources aarseth, espen. cybertext: perspectives on ergodic literature. baltimore: john hopkins u p, 1997. bolter, jay david and richard grusin. remediation: understanding new media. cambridge massachusetts london: mit press, 2000. brooks, peter. the melodramatic imagination: balzac, henry james, melodrama and the mode of excess. new haven and london: yale u p, 1995. carr, diane. "playing with lara" in geoff king and tanya krzywinska eds. ; screenplay: cinema videogames interfaces. london new york: wallflower press columbia u p, 2002. darley, andrew. visual digital culture: surface play and spectacle in new media genres. london and new york: routledge, 2000. hare, douglas personal communication email 14 10 02 ; krzywinska, tanya. "hands on horror" in geoff king and tanya krzywinska eds. ; screenplay: cinema videogames interfaces london new york: wallflower press columbia u p, 2002 "hubble bubble, herbs and grimoires: magic and witchcraft in buffy the vampire slayer" in rhonda v wilcox and david lavery eds ; fighting the forces: essays on the meaning of buffy the vampire slayer. lanham, boulder, new york and london: rowman and littlefield, 2002. poole, steven. trigger happy: the inner life of videogames. london: fourth estate, 2000. shaviro, steven. the cinematic body. minneapolis and london: u of minnesota p, 1993. wilcox, rhonda v. "'pain as bright as steel': the monomyth and light as pain in btvs." unpublished paper presented at blood, tears and fears conference, university of east anglia, norwich, 19th october 2002. many thanks to leon hunt and geoff king for reading and commenting this essay.

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Chap. maj. ; milton johnson family life chaplain selfless service what it is, a biblical example of it, and what it looks like in today's world, selfless service selfless service involves putting oneself in others! it includes service which is performed without any expectation of result or award for the person performing it. selfless service is not just an attitude - it is a lifestyle. i read an article recently entitled "selfless service" in which the author suggested that to become selfless one has to engage in service, and the more a person becomes selfless the more he she enjoys serving others. to serve, you must give up your "self" - resist the natural tendency to focus on self-serving desires, and place the concerns of others first. a biblical example interestingly, the bible records a beautiful story of a lady who demonstrated selfless service one day when she was asked to put the request of someone else before that of herself and her son in spite of their immediate need and desperate situation. the story is found in 1 kings 17: 715. the woman is called "the widow at zarephath". the bible states that there had been a drought in the country where she lived and as a result food supply was seriously affected. this woman decided to gather whatever food items she could find to prepare a final meal for her and her son when a prophet by the name of elijah asked her to give him a drink of water. when she attempted to do so, he then asked please give me some food too. at this request the widow explained her situation and said i have only enough for my son and i to eat before we die. elijah then said, feed me first and you will have enough food to last until god sends rain again. to her credit, she did as he asked. without hesitation she gave the prophet what she had though she needed it ; and trusted god to take care of her. elijah ate, and to the widow's amazement her resources were stretched beyond imagination. what a display of selfless service! perhaps these words are true - our unselfish and compassionate acts will not only help others, but will also help to broaden us as well. one who picks a flower for an offering is the first to enjoy its fragrance and beauty. likewise, it is our own self that is awakened through our selfless acts. selfless service today needless to say, the best display of selfless service is seen in what america's heroes are doing today in iraq, afghanistan, korea, europe, and many other places around the world in defense of this country and support of the freedom of our allies. to leave family, friends, homeland, and culture to help others is indeed selfless. the old saying that there is no place like home is true there is no place like home! and i dare say that every deployed person would love to be home right now. however, duty calls for a sacrifice to put others first and they are answering the call with unbelievable courage. listen to the words of a poem about selfless service that i love: day after day they ask me "why do you go away? what makes you leave your family? i think that you should stay." my child who's standing at the door clutching daddy's hand so pleads again with choking voice "mommy, please don't go." for me, i must answer them, i need for them to know. it is not for fame or glory or riches that i go. i go for each of you, for all that have a son, for all that have a daughter or a special loved one. i go that when they hurt, someone will be there for them, to ease them as they sleep i go to hold them as they die, in some deserted place and still their troubled face. i go because you cannot go and hold them when in fear and soothe the troubled brow as they cry for home so dear and play poker superstars. Description : the best blackjack. 89 92 house of representatives, 2005. february 19, 2006: : hscdemocrats.house.gov nr rdonlyres 0 lee, seow ting and crispin c. maslog. "war or peace journalism? asian newspaper coverage of conflicts." journal of communications, june 2005. pp. 311-329. academic search primer. ebscohost. georgetown u. lib. october 13, 2005: : library.georgetown librarylink subdata lewis, anthony. "the roots of abu ghraib; a president beyond the law." the new york times, may 7, 2004. february 18, 2006: : select.nytimes search restricted article?res f5071ffb3d580c748cd dac0894dc404482 lewis, justin. "biased broadcasting corporation" in the guardian, july 4, 2003. january 25, 2006: : guardian iraq story 0, 2763, 991214, 00 lynch, jake and annabel mcgoldrick. peace journalism. gloucestershire: hawthorn press, 2005. lynch, jake. personal telephone conversation with marianne perez. january 6, 2006. mainstream media project. january 10, 2006: : mainstream-media maver, dot. personal interview with marianne perez. november 21, 2005. new york, ny. mcchesney, robert w. and robert a. hackett. "beyond wiggle room: american corporate media's democratic deficit, its global implications, and prospects for reform" in democratizing global media: one world, many struggles. ed. robert a. hackett and yuezhi zhao. oxford: rowman & littlefield publishers, 2005. media research information center mric ; . november 6, 2004: : corporations media miller, judith and michael r. gordon. "threats and responses: baghdad's arsenal; white house lists iraq steps to build banned weapons." the new york times, september 13, 2002. february 15, 2005: : select.nytimes search restricted article?res fa0811f63b550c708dd da00894da404482 museum of broadcast communications mbc ; . january 14, 2006: : museum archives etv f htmlf fairnessdoct fairnessdoct newsome, melba. "movies with a message." time magazine, time bonus section "january 2006 inside business." new york, december 19, 2005. This on how to play poker room offers all poker games like texas hold`em, omaha, omaha hi lo, free online poker, 7 card stud hi lo and much more. World prior to his death on september 11th. both were told that he wanted a divorce, but each thinks she is the only one who knows this. published in israel horovitz: 5 short plays, .95. royalty, - or - when performed with other plays in the collection. ; #21470 ; acetylene. drama. erik ramsey. 2 m., 1 f. comp. int. a poorly educated woman is enthralled by a rigid, righteous husband who expects precision in everything and an apple in his lunch box when he leaves for his welding job. the day she forgets the apple he has a fatal accident. when visited by her pastor, she wanders in and out of sanity as she blames herself for her husband's death and hallucinates about being tortured by an acetylene torch. winner of the annual short play competition of the american college theatre festival. published with harriet in award-winning plays, vol 2, .25. royalty, -. ; #2991 ; and go to innisfree. comedy drama. jean lenox toddie. 3 f. bare stage. it's october. the beach is deserted. a woman appears, flowered parasol raised and long skirt sweeping the sand. she has come to make a decision, but will she make it alone? the middle-aged matron she was argues for the comfort of a retirement home. the child she was urges her to sit again and eat blackberries, to lie under the brambles and study ants, and to arise at long last and go to innisfree. .25. royalty, -. ; #3579 ; the ballerinas. comedy. don nigro. 3 f. int. three delicate ballerinas are in the dressing room during an intermission for swan lake. scheherazade smokes cigars to relax. petroushka, who has a drinking problem, is worried about how many buttocks she has and would kill for a meat loaf. both are worried about giselle who is so convinced that she is a swan that she is laying eggs. the roof leaks, they have not been paid, and giselle is molting. this funny take on the transformational magic of art is by the author of the girlhood of shakespeare's heroines. in the great gromboolian plain and other plays, .95. royalty, -. ; #4282 ; demonology. mystery. don nigro. 2 m., 1 f. int. in 1902 inspector john ruffing, who also makes appearances in ravenscroft and other plays, is confronted by his most disturbing case: a young woman in an old sanitarium outside london who refuses to speak. his task is to find out what happened to her. uncovering her horrifying secret draws him into the darkest corner of his soul. published in palestrina and other plays, .95. royalty, -. ; #6558 ; exodus from mcdonaldland. comedy. jason milligan. 2 m., 1 f. int. originally commissioned by playwrights theatre of new jersey, this wacky comedy premiered in a furniture showroom. a salesman trying to sell a livingroom suite to newlyweds combats the the husbands's fanatical devotion to his job as a mcdonald's manager. published in here, there and everywhere, .95. royalty, - or - when performed with other plays in the collection. ; #7115 ; fore. comedy. frank d. gilroy. 2 m., 1 f. comb. int. ext. two hollywood writers and a secretary share a bungalow at a major movie studio. one is on his first assignment; the other is a famous novelist fallen on hard times. for relaxation they putt golf balls on the lawn, using the indented sprinklers as holes. there is good feeling between them until their golf attracts disapproval. if the game isn't discontinued, their jobs are in jeopardy. a test of courage for each results. in a way with words, .25. royalty, -. ; #8938 ; give the bishop my faint regards. comedy. frank d. gilroy. 2 m., 1 f. int. a young woman interviews a hollywood screen-writing team, men whose extensive credits include a film with a line second in fame only to ``here's looking at you kid.'' they have always maintained they didn't know which of them wrote the line. eventually the woman gets around to the loathsome question. today, the answer threatens their union, sounding it to its depths with comic effect and a surprising conclusion. in a way with words, .25. royalty, -. ; #9169 ; gogol. comedy. don nigro. 2 m., 1 f. int. the great russian writer is going mad and is also constipated in this surreal investigation of artistic creation, sex, noses and other things. he puts a devil puppet on one hand and a gypsy girl puppet on the other and has violent three-way arguments with himself. a beautiful drowned maiden appears from under his bed clothing, a giant nose runs out of the closet, and pandemonium ensues. gogol burns his masterpiece and disappears up a ladder to nowhere. published in deflores and other plays, .95. royalty, -. ; #9711 ; green forms. comedy. alan bennett. 1 m., 2 f. int. doris and doreen are comfortably installed in an obscure department of a large organization. on a normal day they keep busy by flirting with nice mr. tidmarsh in appointments or pursuing their feud over a plug with mr. cunliffe in personnel. this is not a normal day. someone has an eye on them and a shadow is falling across their tranquil lives. are they about to be fired? .25. royalty -, or - when performed with a visit from miss prothero under the title office suite. ; #9946 ; haiku. drama. katherine snodgrass. 3 f. int. this sublimely beautiful play won the heidemann award at actors theatre of louisville. though severely retarded, louise is at brief intervals miraculously ``normal'' and sometimes so super-normal that she speaks in beautiful haiku poetry. her mother has published the poems under her own name. when an older daughter visits, she refuses to believe that her louise composed the extraordinary poems. .25. royalty, -. ; #10650. Churchill and the chiefs of staff not to send uncamouflaged decrypts to the soviets `in view of the insecurity of their cyphers.'6 the intercepts were prefixed `bj-' and referred to in some files as `black jumbos.'7 by saturday afternoon, june 28, when he drove down to chequers again, the raw ultra intercepts which churchill was receiving in special, buffcoloured locked boxes, indicated that hitler was not having everything his own way.8 the wehrmacht was evidently dismayed by the sheer size and number of the soviet tanks.`it now appears on the highest authority, ' churchill informed lord beaverbrook, minister of supply, using one of his characteristic euphemisms for the decodes, `that the russians have produced a very large tank, said to be over seventy tons, against which the german a t [anti-tank] six-pounder has proved useless.'9 for a few days churchill floundered. the british commanders-in-chief in the far east and china asked how far britain's co-operation with moscow would extend. churchill authorised his chiefs of staff to reply that it would not extend to a military alliance britain planned to assist indirectly, by heavy air raids on germany. when sir stafford cripps, his unhappy ambassador in moscow, saw stalin's foreign minister on the twenty-seventh, vyacheslav molotov inquired whether britain was willing to sign a political agreement. cripps replied that britain contemplated no political agreement `at this stage.' `it is better to wait, ' he advised molotov, `until we have learnt to trust each other.' churchill's first instinct was to strike somewhere, anywhere, on the continent. one suggestion that he had dictated on the day after hitler's invasion of russia was for r.a.f. bombers to set the black forest on fire. the soviet ambassador maisky suggested that he raid the pas de calais, the part of the french coastline nearest to england, with thirty thousand troops made up of commandos and a canadian division. churchill approved.`make hell while the sun shines, ' he suggested, believing despite all the lessons of gallipoli and norway that troops needed only to be ferried to a hostile beach for them to fight their way triumphantly ashore.10 he travelled up to scotland on june 26 taking admiral of the fleet sir roger keyes, director of combined operations, with him. `i can't tell you what we saw, ' wrote his private secretary after their return to chequers, `except one picturesque incident when a pipe band led the p.m. through the streets of the town past the cheering populace.'11 with keyes, his world war one friend, now aged seventy, at his side, he watched improvised land and Google.
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